Historiography

Historiography

Since its establishment in 1993, the Historiography Working Group has aimed to encourage critical debate on methodological and epistemological problems related to the history of theatre and performance.

WG Mission Statement
The Historiography Working Group considers itself as an open forum for debate and reflection that values exchange on methodological issues and the discussion of research. Historiographical questions discussed by participants may be illustrated through specific case examples, and there are no restrictions on the historical time or place a proposal might involve or on the kind of historiographical approach explored.

Work Plan
The Historiography Working Group works by circulating papers to members in advance of the conference for in-depth discussion in sessions at the conference. Any FIRT/IFTR member is welcome to attend, observe, and submit a proposal. Submissions are normally linked to a research project that the author currently has in progress. We welcome papers in all stages of development: from nascent 'thought' pieces to completed book chapters, although members may find it more useful in this forum to discuss earlier rather than later drafts. Writing on the year's theme is not required, but it is helpful for readers to know the goals and context of the work and what type of feedback the author desires. There are two possibilities:

 a) Scholars share a work in progress, usually an article or book chapter excerpt (5000-word limit), framed by historiographical questions.

b) Scholars share a short essay (2000-word limit) that takes up a specific historiographical problem, possibly in response to the conference or convening theme.

The aim of the discussion is always to be constructive. It is a way of working that has been found helpful by young scholars inexperienced in presentation, and by scholars whose first language is not English, but it has evolved because it suits the needs of those who are working on a larger project, which is often seen to be growing from year to year. 

For Call for Papers and more information see: http://theaterhistoriography.wordpress.com.

Conference Reports
Stockholm 2016
There was a huge interest in the work of the group since the conference focused on critical perspectives on “Presenting the Theatrical Past”. The WG had a total of 23 participants in three formats: the working group’s regular meetings, the curated panel and the round table “The Future of the Past”. The round table aimed to discuss the discipline of historical research and the particular challenges and opportunities of theatre historiography today within and across national paradigms. It was decided to try out a new format of circulating short essays (2000-word limit) in São Paulo as another possibility in addition to the regular 5000-word-papers.

São Paulo 2017
Funding issues meant that only 13 of our originally selected 21 papers were presented in São Paulo, but nevertheless the group had a very productive meeting and was pleased to welcome a number of new members to our discussions both as presenters and as spectators. We were particularly pleased to welcome a number of Brazilian colleagues to the group for the first time. Papers presented were focused on different questions of historiographic method and approach across a range of different historical periods and geographical regions; [we also discussed publication practices and plans including the forthcoming Bloomsbury Companion to Theatre History and Historiography which will include work by a number of members of the group.]

Selected Publications
Mechele Leon, “Environment of Theatre in the Enlightenment.” In A Cultural History of Theatre in the Age of Enlightenment. London: Bloomsbury Press, 2017.

Aldo Milohnic, “How to Reconstruct Dead Chicken? On Theatre Reconstructions in Slovenia.” In Ars Academica 3:4 (2016), pp. 51-68. http://www.fdu.ukim.edu.mk/pdf/ArsAcademica_004.pdf

Laura Monrós-Gaspar, Victorian Classical Burlesques. A Critical Anthology. London: Bloomsbury, 2015.

Janne Risum, “Press Reviews of Mei Lanfang in the Soviet Union, 1935, by Female Writers: Neher Versus Shaginyan.” In CHINOPERL: Journal of Chinese Oral and Performing Literature, 35:2 (2016), pp. 114-133.

Cia Sautter, “Ending in Dance: Ethics, Religion, and Staged Movement.” In The Performance of Religion: Seeing the Sacred in the Theatre. New York: Routledge, 2017.

 

Conveners
Nora Probst (nora.probst@uni-koeln.de) to 2018
Jo Robinson (jo.robinson@nottingham.ac.uk) to 2019
Rashna Nicholson (R.Nicholson@lmu.de) to 2020

For more info about this Working Group
http://theaterhistoriography.wordpress.com

THEATRE HISTORIOGRAPHY WG - Call for papers BELGRADE 2018

THEATRE HISTORIOGRAPHY WG - Call for papers BELGRADE 2018

22 November, 2017 by Boris Daussa-Pastor | 0 comments

CALL FOR PAPERS - IFTR THEATRE HISTORIOGRAPHY WORKING GROUP 9th July – 13th July 2018, Belgrade Studio-laboratory for performing arts, Faculty of Dramatic Arts Read more

HWG CFP 2017

Call for Papers 10-14 July 2017 Sao Paulo Historiography Working Group

18 November, 2016 by Mechele Leon | 0 comments

Call for Papers: 2017 IFTR 10-14 Sao Paulo Historiography Working Group Read more

Call for Papers: Stockholm 13-17 June 2016

Call for Papers: Stockholm 13-17 June 2016

05 January, 2016 by Magnus Thorbergsson | 0 comments

The IFTR Historiography Working Group will be meeting during the IFTR conference in Stockholm, Sweden, 13-17 June 2016. Read more

Call for Papers: Hyderabad 5-10 July 2015

Call for Papers: Hyderabad 5-10 July 2015

11 December, 2014 | 0 comments

Read more

Call for Papers: Warwick 28 July - 1 August 2014

Call for Papers: Warwick 28 July - 1 August 2014

07 July, 2014 | 0 comments

Read more

Call for papers

Call for papers

07 July, 2014 | 0 comments

Annual Meeting – Warwick, United Kingdom, 28 July – 1 August 2014 Read more

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