Theatre Research International

Theatre Research International

Theatre Research International publishes articles on theatre practices in their social, cultural, and historical contexts, their relationship to other media of representation, and to other fields of inquiry. The journal seeks to reflect the evolving diversity of critical idioms prevalent in the scholarship of differing world contexts. Editors: Dr Fintan Walsh Birkbeck, University of London, UK , Dr Silvija Jestrovic, University of Warwick, UK and Dr Tanya Dean, Ulster University, UK

Theatre Research International

 THEATRE RESEARCH INTERNATIONAL Volume 44 / Issue 1, March 2019

https://www.cambridge.org/core/journals/theatre-research-international/volume/62C27026323E18E8757E1027E3D184E5

  

EDITORIAL

Editorial: On Moving and Being Moved

FINTAN WALSH 

Theatre Research International, Volume 44 / Issue 1, March 2019, pp 1 - 5  https://doi.org/10.1017/S0307883318001037 Published Online on 3 April 2019

 

ARTICLES

Remembering the Finnish Civil War: Embodied Empathy and Fellman Field

HANNA KORSBERG, LAURA-ELINA AHO, IRIS CHASSANY, SOFIA VALTANEN 

Theatre Research International, Volume 44 / Issue 1, March 2019, pp 6 - 22 https://doi.org/10.1017/S0307883318000810 Published Online on 3 April 2019

This article is accompanied by a blog post: http://blog.journals.cambridge.org/2019/04/04/on-collaborative-research-and-writing/

 

Staging Sochi 2014: The Soft Power of Geocultural Politics in the Olympic Opening Ceremony

SUSAN TENNERIELLO 

Theatre Research International, Volume 44 / Issue 1, March 2019, pp 23 - 39 https://doi.org/10.1017/S0307883318000822 Published Online on 3 April 2019

 

Wayang in Jaman Now: Reflexive Traditionalization and Local, National and Global Networks of Javanese Shadow Puppet Theatre

MATTHEW ISAAC COHEN 

Theatre Research International, Volume 44 / Issue 1, March 2019, pp 40 - 57 https://doi.org/10.1017/S0307883318000834 Published Online on 3 April 2019

 

THEATRE AND MIGRATION DOSSIER

Haitian Vodou and Migrating Voices

SABINE KIM 

Theatre Research International, Volume 44 / Issue 1, March 2019, pp 58 - 63 https://doi.org/10.1017/S0307883318000998 Published Online on 3 April 2019

 

Maritime Migrations: Stewards of the African Grove

ANITA GONZALEZ 

Theatre Research International, Volume 44 / Issue 1, March 2019, pp 64 - 70 https://doi.org/10.1017/S0307883318000962 Published Online on 3 April 2019

 

Trans-lating Hijra Identity: Performance Culture as Politics

ANKUSH GUPTA 

Theatre Research International, Volume 44 / Issue 1, March 2019, pp 71 - 75 https://doi.org/10.1017/S0307883318000925 Published Online on 3 April 2019

 

Performing Public Presence: African Migrant Women Create Uncomfortable Conversations in London

LESLEY DELMENICO 

Theatre Research International, Volume 44 / Issue 1, March 2019, pp 76 - 81 https://doi.org/10.1017/S0307883318001025 Published Online on 3 April 2019

 

Responding to Per.Art's Dis_Sylphide: Six Voices from IFTR's Performance and Disability Working Group

MARGARET AMES, DAVE CALVERT, VIBEKE GLØRSTAD, KATE MAGUIRE-ROSIER, TONY MCCAFFREY, YVONNE SCHMIDT 

Theatre Research International, Volume 44 / Issue 1, March 2019, pp 82 - 101 https://doi.org/10.1017/S0307883318000846 Published Online on 3 April 2019

 

BOOK REVIEW 

Moving Scenes: The Circulation of Music and Theatre in Europe, 1700–1815. Edited by Pierre-Yves Beaurepaire, Philippe Bourdin and Charlotta Wolff. Oxford: Oxford University Studies in the Enlightenment, 2018. Pp. xii + 392 + 10 illus. £75/€90/$110 Pb.

Katherine Astbury 

Theatre Research International, Volume 44 / Issue 1, March 2019, pp 102 - 103 https://doi.org/10.1017/S0307883318000731 Published Online on 3 April 2019

 

Rape on the Contemporary Stage. By Lisa Fitzpatrick. Basingstoke: Palgrave Macmillan, 2018. Pp. vii + 281. £79.00/$99.99 Hb; £62.99/$79.99 Ebook.

Laura Baglereau 

Theatre Research International, Volume 44 / Issue 1, March 2019, pp 103 - 104 https://doi.org/10.1017/S0307883318000743 Published Online on 3 April 2019

 

Poverty and Charity in Early Modern Theater and Performance. By Robert Henke. Iowa City: University of Iowa Press, 2015. Pp. xiii + 202. $55 Hb.

Dylan Ferrara 

Theatre Research International, Volume 44 / Issue 1, March 2019, pp 104 - 105 https://doi.org/10.1017/S0307883318000755 Published Online on 3 April 2019

 

Performing Statelessness in Europe. By Stephen E. Wilmer. London and New York: Palgrave Macmillan, 2018. Pp. ix + 245 + illus. £79 Hb.

Philip Hager 

Theatre Research International, Volume 44 / Issue 1, March 2019, pp 106 - 107 https://doi.org/10.1017/S0307883318000767 Published Online on 3 April 2019

 

ANU Productions: The Monto Cycle. By Brian Singleton. Basingstoke: Palgrave Macmillan, 2016. Pp. xi + 109. £59.99 Hb; £59.99 Pb.

J. Paul Halferty 

Theatre Research International, Volume 44 / Issue 1, March 2019, pp 107 - 108 https://doi.org/10.1017/S0307883318000779 Published Online on 3 April 2019

 

Dust of the Zulu: Ngoma Aesthetics after Apartheid. By Louise Meintjes, with photographs by T. J. Lemon. Durham, NC and London: Duke University Press, 2017. Pp. xiv + 338 + 142 illus. $94.95 Hb; $26.95 Pb.

Osita Okagbue 

Theatre Research International, Volume 44 / Issue 1, March 2019, pp 108 - 109 https://doi.org/10.1017/S0307883318000780  Published Online on 3 April 2019

 

Performing Wales: People, Memory and Place. By Lisa Lewis. Cardiff: University of Wales Press, 2018. Pp. xvi + 288 + 16 illus. £24.99/$40.00 Pb.

Roger Owen 

Theatre Research International, Volume 44 / Issue 1, March 2019, pp 109 - 110 https://doi.org/10.1017/S0307883318000792 Published Online on 3 April 2019

 

International Performance Research Pedagogies: Towards an Unconditional Discipline? Edited by Sruti Bala, Milija Gluhovic, Hanna Korsberg and Kati Röttger. London: Palgrave MacMillan, 2017. Pp. xix + 235. £63.99/$80 Hb.

Kim Solga 

Theatre Research International, Volume 44 / Issue 1, March 2019, pp 111 - 112 https://doi.org/10.1017/S0307883318000809 Published Online on 3 April 2019

 

BOOKS RECEIVED

Theatre Research International, Volume 44 / Issue 1, March 2019, pp 113 - 113 https://doi.org/10.1017/S0307883318000858 Published Online on 3 April 2019

 

FRONT COVER (OFC, IFC) AND MATTER

TRI volume 44 issue 1 Cover and Front matter

Theatre Research International, Volume 44 / Issue 1, March 2019, pp f1 - f4 https://doi.org/10.1017/S0307883318001050 Published Online on 3 April 2019

 

BACK COVER (IBC, OBC) AND MATTER

TRI volume 44 issue 1 Cover and Back matterTheatre Research International, Volume 44 / Issue 1, March 2019, pp b1 - b3 https://doi.org/10.1017/S0307883318001062 Published Online on 3 April 2019

Stay up to date with the IFTR Weekly Digest