Theatre Research International 42.1 is now available

31 March, 2017 by Sarah Balkin | 0 comments

Theatre Research International 42.1 is now available

Theatre Research International 42.1 is now available.

 

Theatre Research International 42.1 is now available at https://www.cambridge.org/core/journals/theatre-research-international/latest-issue. It contains:

 

Editorial?

 

PAUL RAE

 

DOI: https://doi.org/10.1017/S0307883317000025

 

 

 

From India to India: The Performative Unworlding of Literature

 

RASHNA DARIUS NICHOLSON

 

DOI: https://doi.org/10.1017/S0307883317000037

 

 

 

The Zenne: Male Belly Dancers and Queer Modernity in Contemporary Turkey

 

JOANNA MANSBRIDGE

 

DOI: https://doi.org/10.1017/S0307883317000049

 

 

 

Restating the Scene of Foundation: Establishing Israeli Statehood and Culture in National Collection by Public Movement

 

DAPHNA BEN-SHAUL

 

DOI: https://doi.org/10.1017/S0307883317000050

 

 

 

Apartheid Acting Out: Trauma, Confession and the Melancholy of Theatre in Yaël Farber's He Left Quietly

 

ED CHARLTON

 

DOI: https://doi.org/10.1017/S0307883317000062

 

 

 

Absence, Presence, Indexicality: The Mise en Scène of ‘the Heart of Neolithic Orkney’

 

JONATHAN W. MARSHALL

 

DOI: https://doi.org/10.1017/S0307883317000074

 

 

 

Book reviews by Daniel Boulos, Robert Crane, Katherine J. Swimm, Amy Skjerseth, Katherine Zien, Kim Baston, Hilary Halba, Peter Eckersall, Sruti Bala, Alison Jeffers, Jennie Klein, Karen Quigley, and Rossella Ferrari.

 

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