Theatre Research International 41.2 is now available

09 June, 2016 by Sarah Balkin | 0 comments

Theatre Research International 41.2 is now available

TRI 41.2 is now available at http://journals.cambridge.org/jid_TRI .

 
TRI 41.2 is now available at http://journals.cambridge.org/jid_TRI . It contains:
 
 
 
Editorial: Behind the Scenes
 
PAUL RAE
 
Theatre Research International, Volume 41, Issue 02, July 2016, pp 101-105
 
doi: 10.1017/S030788331600002X, Published online by Cambridge University Press 07 Jun 2016
 
 
 
Articles:
 
The Rise and Fall of Modelbooks, Notate and the Brechtian Method: Documentation and the Berliner Ensemble's Changing Roles as a Theatre
 
Company
 
DAVID BARNETT
 
Theatre Research International, Volume 41, Issue 02, July 2016, pp 106-121
 
doi: 10.1017/S0307883316000031, Published online by Cambridge University Press 07 Jun 2016
 
Becoming Hamlet for Only Nine Days: Korean Workers and Documentary Theatre
 
HYUNSHIK JU
 
Theatre Research International, Volume 41, Issue 02, July 2016, pp 122-134
 
doi: 10.1017/S0307883316000043, Published online by Cambridge University Press 07 Jun 2016
 
Politicizing the Pastoral: Taiwan's Homeland Performances
 
CATHERINE DIAMOND
 
Theatre Research International, Volume 41, Issue 02, July 2016, pp 135-150
 
doi: 10.1017/S0307883316000055, Published online by Cambridge University Press 07 Jun 2016
 
‘The Money Was Real Money’: Talking with Audiences about Corruption, Domestic Violence and Aesthetic Values during the Roverman Festival of
 
Plays at the Ghana National Theatre
 
AWO MANA ASIEDU
 
Theatre Research International, Volume 41, Issue 02, July 2016, pp 151-167
 
doi: 10.1017/S0307883316000067, Published online by Cambridge University Press 07 Jun 2016
 
‘Sometimes Uncomfortable, Sometimes Arousing’: The Slow Dramaturgy of Casey Jenkins's Craftivist Performances
 
LARA STEVENS
 
Theatre Research International, Volume 41, Issue 02, July 2016, pp 168-180
 
doi: 10.1017/S0307883316000079, Published online by Cambridge University Press 07 Jun 2016
 
 
 
Reviews:
 
Theatre and Aural Attention: Stretching Ourselves. By George Home-Cook. Basingstoke and New York: Palgrave, 2015. Pp. ix + 229. £55 Hb/£52.35
 
Kindle.
 
David Roesner
 
Theatre Research International, Volume 41, Issue 02, July 2016, pp 181-182
 
doi: 10.1017/S0307883316000213, Published online by Cambridge University Press 07 Jun 2016
 
Theatres of Learning Disability: Good, Bad, or Plain Ugly? By Matt Hargrave. Basingstoke and New York: Palgrave Macmillan, 2015. Pp. xiv + 290.
 
£55 Hb.
 
Sarah Marinucci
 
Theatre Research International, Volume 41, Issue 02, July 2016, pp 182-183
 
doi: 10.1017/S0307883316000225, Published online by Cambridge University Press 07 Jun 2016
 
Contemporary Black British Playwrights: Margins to Mainstream. By Lynette Goddard. Basingstoke and New York: Palgrave Macmillan, 2015. Pp. xii
 
+ 255. £55/Ä$90 Hb.
 
Christine Matzke
 
Theatre Research International, Volume 41, Issue 02, July 2016, pp 184-185
 
doi: 10.1017/S0307883316000237, Published online by Cambridge University Press 07 Jun 2016
 
Latin Numbers: Playing Latino in Twentieth-Century U.S. Popular Performance. By Brian Eugenio Herrera. Ann Arbor: University of Michigan Press,
 
2015. Pp. xiii + 272. £78.95/Ä$85 Hb.
 
Carla Della Gatta
 
Theatre Research International, Volume 41, Issue 02, July 2016, pp 185-186
 
doi: 10.1017/S0307883316000249, Published online by Cambridge University Press 07 Jun 2016
 
Queer Theatre and the Legacy of Cal Yeomans. By Robert A. Schanke. New York: Palgrave Macmillan, 2011. Pp. xxi + 239 + 21 illus. Ä$100 Hb; Ä$29
 
Pb.
 
Daniel Ciba
 
Theatre Research International, Volume 41, Issue 02, July 2016, pp 186-187
 
doi: 10.1017/S0307883316000250, Published online by Cambridge University Press 07 Jun 2016
 
Befriending the Commedia dell'Arte of Flaminio Scala: The Comic Scenarios. By Natalie Crohn Schmitt. Toronto: University of Toronto Press, 2014.
 
Pp. 344. £54.99/Ä$80 Hb.
 
Peter Jordan
 
Theatre Research International, Volume 41, Issue 02, July 2016, pp 187-188
 
doi: 10.1017/S0307883316000262, Published online by Cambridge University Press 07 Jun 2016
 
The Comic Offense: Larry David, Tina Fey, Stephen Colbert, and Dave Chappelle. By Rick DesRochers. New York: Bloomsbury Academic, 2014. Pp.
 
viii + 154 + 5 illus. Ä$29.95 Pb; Ä$100 Hb.
 
Sara Farah
 
Theatre Research International, Volume 41, Issue 02, July 2016, pp 188-189
 
doi: 10.1017/S0307883316000274, Published online by Cambridge University Press 07 Jun 2016
 
Visions and Revisions: Performance, Memory, Trauma. Edited by Bryoni Trezise and Caroline Wake. Copenhagen: Museum Tusculanum Press,
 
University of Copenhagen, 2013. Pp. 236. Ä$52/€40 Pb.
 
Sandra D'Urso
 
Theatre Research International, Volume 41, Issue 02, July 2016, pp 189-190
 
doi: 10.1017/S0307883316000286, Published online by Cambridge University Press 07 Jun 2016
 
Refrains for Moving Bodies: Experience and Experiment in Affective Spaces. By Derek P. McCormack. Durham, NC: Duke University Press, 2014.
 
Pp. 280 + 17 illus. £15.68/Ä$23.95 Pb; £55.61/Ä$84.95 Hb.
 
Kallee Lins
 
Theatre Research International, Volume 41, Issue 02, July 2016, pp 191-192
 
doi: 10.1017/S0307883316000298, Published online by Cambridge University Press 07 Jun 2016
 
Deleuze and Beckett. Edited by S. E. Wilmer and Audronė Žukauskaitė. Basingstoke and New York: Palgrave Macmillan, 2015. Pp. v + 253. £55/Ä$90
 
Hb.
 
Tony Fisher
 
Theatre Research International, Volume 41, Issue 02, July 2016, pp 192-193
 
doi: 10.1017/S0307883316000304, Published online by Cambridge University Press 07 Jun 2016
 

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